Want to learn about the wide range of materials and methods used in the production of garden pottery? Professional ceramicist Scott Semple will answer all your questions concerning terracotta and its applications in garden design throughout the 35,000-year history of fired clay vessels, from ancient times until the present day. Our hope is that you will find this educational journey not only informative but a valuable tool when considering Eye of the Day pottery as a functional, aesthetic and site-specific option for your garden design needs. About the Author With over 40 years experience, internationally-recognized ceramic artist, arts activist, and educator Scott Semple of SS Clay Works will lead a monthly exploration into “What is clay and why is it important?” We are pleased to introduce Eye of the Day resident consultant Scott Semple: Hi folks! What a great idea—mixing garden design, world travel, critical examination and mud! Sounds messy, fun and engaging all at once. So, a little back story on me: I am a fifth-generation Californian with brown thumbs. It’s like I was telling Brent last night, I’ve never been able to grow anything, but when it comes to mud—specifically clay, you are talking to the right guy. As a professional, I am what is referred to as a “Large Format Potter,” meaning I build huge pieces out of clay. I am fortunate to have my pieces in the private collections of many prominent and celebrated individuals, and currently balance my time between the studio, the classroom, and the natural world. People often refer to clay, ceramics and pottery all in the same context. I do this all the time. Yet perhaps a little clarification is needed. Clay is the actual material. In its essence (and a very elementary definition) it is decomposed granite, at once sculptural and utilitarian, abundant and valuable. Ceramics on the other hand, is what happens when you add fire: Fired clay is ceramic. And pottery is pottery, it’s that simple. So don’t get confused as I move fluidly between terms. There are countless applications for ceramics, especially when you consider ceramic engineering or clay in material sciences. NASA, Raytheon, Apple, and Toyota are but a few entities using clay. But in the garden design business, Eye of the Day really stands above and beyond the competition. They bring the real deal, direct from the countries, potteries, and clay villages of the world to our yards and ultimately our lives. I am proud to be working with this team. See you guys next month. -SS. Questions and thoughts for Scott? Let us know! Comment via Twitter or Facebook with the hashtag #BakedEarth and we’ll make sure your queries get to Scott. Better yet, leave a comment for him below in the comments section.

As a professional designer you have to visit your clients and job sites. You cannot put together a credible working document without physically walking the site.

That said, when my clients (landscape designers, architects and builders) are surprised to see me get out of the truck when their orders arrive on their job sites, I’m always just as surprised by their surprise. There’s no better way to understand what they have created and how Eye of the Day was included in that process than to be there walking their design. Without the in-person visit, there’s a disconnect.

By the time the containers and other decor elements are placed, the rest of the garden is close to completion. That means Eye of the Day’s delivery puts the finishing touch on the garden. I call it the jewelry.

When the Tommy Bahama store designer for their new flagship location on 5th Avenue in Manhattan specified our Greek Terracotta done in a custom whitewash, I decided to fly to New York to meet the shipment. Because delivery is the trickiest part of my business, I wanted to be there to answer questions in person and sort out any problems if there was breakage en route, for example. In the more likely event that there were no shipping problems at all, I just wanted to show my face and make sure my clients knew I stood by my products in the most literal sense.

The man who held the door open for me at Tommy Bahama turned out to be the company’s CEO. When he found out that I was the owner of Eye of the Day and had made the special effort to come all the way from California, well, to say the least, he was impressed. It’s rare for vendors of custom, authentic products in niche industries to be so present, and it must have been a welcome change because we got the job for their Chicago store, too.

I won’t lie: travel isn’t only a sacrifice. I enjoy the perks, too. It didn’t hurt that I got to have lunch at one of my favorite restaurants, Gramercy Tavern. I just wish Cooperstown and the Baseball Hall of Fame was closer, but such is a traveling man’s plight.

Over the last few years we have focused on survival and have been importing only products that have become our staples: Italian terracotta, French Anduze pottery and hand-thrown Greek terracotta pots.   Pre-Recession, Eye of the Day traveled throughout the world and brought back some amazing things for our customers.  These one-of-a-kind items coupled with our large inventory of antique oil jars from Italy, Greece, Spain and France have helped see us through slow times.  We often hear that our customers are amazed with our large inventory and what a pleasure it is to be able to find items for their projects.

Many of our special finds have been sold so now it is time to begin exploring the shops and fairs throughout Europe looking for old jars, pieces of stone, architectural iron and funk that just seems to work in a garden.  I look forward to keeping you updated with my wanderings and great finds over the next few weeks, and hope that you may find something to tickle your fancy that you just can’t live without.

Many who know about my wanderings comment that I am lucky to travel around the world and that you wish it were you.   I sometimes wish it were you too and that I could just stay home, read, give Suzi a wish list for each meal and try to burn through a cord or two of oak in our fireplace.  But reality is different, and I find myself with an emptiness in my stomach, feeling homesick before I ever leave.

The ambivalence of arriving in Rome with a cold and my luggage still somewhere at Heathrow keeps me from going to my favorite dive in the ghetto for baby artichokes fried in olive oil.  Instead, I sleep for eight hours and have a marginally decent pizza in the hotel bar (how bad can a pizza be in Rome?).

Finally I catch the last train to Chiusi and meet up with Marcello, owner of Terrecotte San Rocco.  We drive to his home in the hills of Siena where his wife and mother, Nona, have a pot of pesto al Genovese ready and tonight a platter full of prosciutto and a variety of salumi.  It could definitely be worse.  After dinner Nona brings out a small bottle of deep amber liquid, a Christmas gift from an old friend.  There are no labels or foil and it looks to be hand-corked.  My mouth begins to water.  I hope it is a local Vin Santo.  The pruny, sherry-like liquid makes me almost forget the three dozen oysters and magnum of champagne we had with our daughter in Brooklyn on Christmas morning.  Almost.

New Years Eve day we are off to a nearby town for a big antique fair.  It is sparsely attended which gives me a little breathing room to adjust to my antiquing personality.  Walking up and down the steep cobblestone streets of the ancient Tuscan hill town is hard work and makes me hungry.  There is not time to sit down to the wonderful food in a local restaurant, but I find a nice salumeria and a sandwich of excellent prosciutto, pecorino and to my friend’s surprise, a few thin slices of lardo.  A glass of local vino rosso in a plastic cup and I’m back pounding the cobbles.  I find many interesting, but highly priced items, and then find a dealer who wants to bargain…

Below are some photos of some beautiful antiques that I found during my trip to the antique fair.  More to come!

On New Year’s Day I wake up late but I’m glad that the house is quiet.  It allows me to organize my week ahead at the factory.  My partner, Marcello, is the most progressive manufacturer in Italy.  In the afternoon he shows me a new factory he just started with a partner to produce quality terracotta for large garden centers.  While older, traditional terracotta manufacturers are going out of business, Marcello is buying their factories and their molds and working to develop new items.  Our association with this man and his business is becoming to be the backbone of Eye of the Day.

Next week:

Bologna and a little spaghetti.  After that I’m off to France to pick up a special order for a new landscape architecture firm wanting pots from Anduze that we don’t have in stock.  It will be an experiment renting a truck in Italy, driving to France for the pots and take them back to Italy to put on the container.  We are about to find out if this will be less expensive, faster and more productive than shipping by truck from France to Italy or shipping by pallet from Marseille.

Eye of the Day has dreams of becoming the place to find unique, beautiful gifts.  In our recent shipment of Anduze pots from the South of France, we received a number of smaller vases and low bowls that would be perfect for a holiday table setting or to be home to a small indoor holiday tree.  An extraordinary urn with a rustic finish from Anduze could spend the holidays filled with pinecones and later coddle a houseplant.

Also from Anduze are wine coolers in the traditional style of Anduze pots, with a finish that brings to mind a frosty December evening.  In our gift shop and throughout the showroom are terracotta animals of many sizes as well as giant terracotta fruit.  Roosters, snails, birds, pigs, and a variety of dogs are waiting to please someone on Christmas morning.  Lemons, pomegranates, acorns, apples and pumpkins could adorn any indoor or outdoor setting.  It is probably safe to say that the garden-loving people on your list do not already have anything like these. For someone really special, the choice would be one perfect item from Gladding McBean, like my favorite daffodil jar or the exquisite Reclining Nude.  Or a brilliant red Oil Jar. This holiday season, treat yourself and those you love to something unique and everlasting.  A visit to Eye of the Day will inspire you.

Green.  We all know green.  And blue and honey-hued.  Even red.  But these new colors are just begging for description.  How about “the color of an early morning Spring sky”? Or “the color of the Pacific Ocean as it meets the sky on a Summer evening”.  There’s also “moody sky before a rainfall”.  As you have learned while reading past posts, we have recently received a container of the exquisite pottery from Anduze, France and walking through Eye of the Day MANY times during each day, each of us has moments to stop and take in the pallette of colors pulled from nature.  The green of a cool forest, the blue in a child’s painting of the ocean, the honey of a field of wheat and the ivory of a butter-rich cream. The red of Marilyn Monroe’s lips?

Anyway… the colors are just the introduction to the story.  The pottery results from a popular legend that an Anduze potter attended a fair in 1610 and fell in love with a Medici vase.  Inspired, he created the first Anduze planter, combining Italian exuberance depicted by the garland decoration and the austerity of the Cevennes region of France shown in the stocky, practical build of the planter.  There is no design style that would not embrace the Anduze Vase.  The shape and style (not to mention the colors) are timeless.  Eye of the Day is the place to find your little corner of French history, your piece of French pottery.