Today, Eye of the Day interviews Lisa Cox of Lisa Cox Landscape Design on a recent project in Los Olivos, California. Lisa is a designer we love to work with and it’s always a joy when she stops by the showroom sourcing decor for her designs. As the season slowly transitions into Fall here in California, this Before and After project is a sign of good change to come.

Eye of the Day: Tell us a little about yourself and this project.

Lisa Cox:  My company, Lisa Cox Landscape Design, tackles residential projects exclusively in the Santa Ynez Valley. After moving here 3 years ago, I could see there was most definitely a need for Landscape Designers in our area.  Since I was the new gal in town, I started slowly with residences in my area and a few Tasting Rooms in Los Olivos, and then that was a great boost for my business.

This particular project in Los Olivos was a European Farmhouse that needed a face lift. Considering the property was already a stunner, it was a delight to tackle the project.

EOTD: What was your client’s goal for this particular garden?
LC: The client wanted to completely rework the front garden to create a more traditional plant palette of roses and boxwood in tandem with drought tolerant plants that do well in the Santa Ynez Valley such as rosemary, lavender and olive trees. We think the outcome was very pleasant, and works well with her charming residence.

EOTD: What was your initial vision for this garden? 

LC: My initial vision was to recreate something you would see in Provence, France. Since the homeowner considers France their second home, it was even more of an inspiration to help with that “look.”

After removing most of the original planters, we created areas of interest such as a rose garden, shade garden, and sun drenched beauty garden!

EOTD: Were there any unique problems that came up during the design or installation?

LC: I think the biggest challenge was correctly reworking the existing irrigation system for the newly planted areas, and using good sized plants to create an “Instant yard.” The design phase was easy since the homeowner is a very gifted interior designer with a good eye. A great collaboration.

EOTD: What would you describe as your garden design aesthetic and how do you work with your client’s own vision for the landscape?

LC: Each project I tackle starts with the needs and wants of the client. Sometimes, their input is great, and other times, I am allowed complete freedom to create what I think will work for not only the style of their home, but function, flow and of course, aesthetics. As I start to design, it all seems to come together with time.

Before I start a design, I send out a list of questions for the client to answer that entails how they will use the space being created, substrate choices, and plant choices that appeal to them. This usually guarantees I can design freely knowing I am in line with their vision for their home.

EOTD: For the pottery, why these particular pieces? 

LC: The vintage Greek oil jar was a perfect fit to blend both a traditional and Mediterranean look with a touch of rustic created by the aging finishes Eye of the Day offers.

EOTD: What was your favorite part of this project and design?

LC: Most definitely working with the homeowner and creating a vision that not only gave her a little piece of France, but also how the end result screams Santa Ynez Valley and all our glory here in wine country.

To view more of Lisa’s work, visit Lisa Cox Landscape Design or her Facebook page.

Photo Credits: Rich Cox Photography

Why Expensive Pottery for Your Garden?

Whether you are a garden enthusiast or if you’re like me and have gardening in your soul, no doubt you are always on the lookout for great pots—not just great shapes and styles but pottery that lasts.

English lead containers and Francesco del Re’s pure bronze pots might be the most expensive planters on the planet, but who buys plant pots made from lead or solid bronze? Guilty! Recently I wrote about Italian pottery from the commune of Impruneta and tried to debunk the myth that it is not the name of Impruneta itself which is important but the clay they use. Not all clay is equal and when the pottery you are looking at has a high price tag, don’t be afraid to ask some questions about the origin, the clay body used, the firing temperature and duration in the kiln.

Many people think we only sell expensive pottery at Eye of the Day, and we do carry high-end items, but there is the saying “You get what you pay for”.

At a local nursery, a competitor of ours sells the classic Italian double rolled rim planter with a 24” diameter for $. The product is produced by one of the largest pot manufacturers in the world, Deroma of Italy. These pots are made from inferior clay and you will find that they start to break down almost immediately.

Our high quality Italian double roll rims will last for a century or more. Our price for the same size pot is $—a big difference for a pot that might last a decade opposed to one that will last for 100 years or more. The conclusion is: high quality pottery isn’t necessarily more expensive, it just depends on where you shop and what you know about the quality of the pots.

Learn more about terracotta and how terracotta pots are made at our blog.

Related Articles:
The Truth Behind the Aged Terracotta You Buy
Inside the Pieces: Why We Love Authentic Pottery

Jennifer Voss of Gardefacts Designs Thoughtful and Practical California Gardens

In our continued series, Blueprint, that covers the work and projects of landscape and garden professionals, we are happy to count Jennifer Voss of Gardefacts in Santa Barbara, California as one of our most loyal designers. She has been using Eye of the Day as a primary resource for over a decade and she uses our products to highlight and enhance her California garden designs.

Jennifer’s love of horticulture began with visits to the Los Angeles County Arboretum with her grandparents, where they wandered through the garden and bamboo forests, feeding the plentiful peacocks and learning the names of the plants.

With Jennifer’s knowledge of plants, she became interested in design and plant care and studied botany in college and Landscape Design at UCLA.  She has visited hundreds of gardens throughout England, France, Italy and the United States and these influences help guide her in her designs.

Jennifer finds that the best method for working with a new client is to listen closely to how they describe their vision for their space and translate that to a design that is both beautiful and practical.  Check out the photos and you’ll see how Jennifer seamlessly incorporates Eye of the Day pots into her designs.

See more of Jennifer’s work at Gardefacts including more container gardens, design projects, and even edibles!

The Clay Authority – Debunking the Myth of Impruneta Clay 

If you don’t have a subscription to Garden Design magazine, you really should do yourself a favor and get one. This new issue, Spring 2016, has a beautifully presented article about the legendary pottery artisans of the small hill commune of Impruneta just outside of Florence.  If only as a travel guide to garden lovers, it reads like a NYT Travel section “36 Hours” of what to do and where to go in this tiny historic commune.  Of course, you always can pick up a copy at Eye of the Day.

For a long time I have complained that many Italian pottery manufacturers have falsely used the name “Impruneta” to sell their Italian pots, often at an inflated price. This wonderful article helps to debunk this misnomer and offers a wonderful guide to visitors and lovers of quality Italian garden pottery, abundant throughout the country. Besides, after pasta, what does one think of when Italy is mentioned but double rolled-rim planters?  Well, maybe shoes and olive oil might come up…

The essential part of the article was the brief mention of the actual terra cotta clay material found and used by these artisans in Impruneta. Many would have you think that Galestro clay can or is only found here and this is not the case as it is prevalent throughout the Sienese countryside. Francesco del Re was so adamant that his production of what many consider the finest Italian terracotta produced today be trademarked as “Terra Forte” clay so as not to be confused and wrongly named Impruneta. But the simple fact is still: All of the high quality, long lasting and frost proof terra cotta pottery found in Italy uses Galestro clay and does not have to be found within the commune of Impruneta.

At Eye of the Day, our main Italian terra cotta product is made with 100% Galestro clay manufactured for us by Colorobbia of Montelupo, Italy, and the largest Terracotta manufacturer in the world. Sounds impressive, doesn’t it?

What is really impressive is that our high quality, frost proof Italian terracotta will not only last for centuries, it is affordable when compared to similar pieces stamped with “Impruneta”. And please, don’t get me wrong, I have beautiful Impruneta pots, Francesco del Re pots as well as pots from other artisans of fine quality Italian terra cotta in my garden but all are manufactured using 100% Galestro Clay.  That’s why I’m the Clay Authority.

THE OUTLIER’S GARDEN

Outlier: something that lies outside the main body or group that it is a part of; “different” than the rest, not better, not trying to fit in, just different.

This is how I describe my garden when I’m asked.

Even when big-time designers visit Eye of the Day, their jaws drop. We often hear, “I’ve never seen anything like this.” We are proud of our store and business. Most people assume our home must be some magnificent park or arboretum. We just laugh and smile and say it more resembles a garden on LSD, it’s definitely a trip.

My garden is truly my sanctuary, my go-to place; it is where I want to be all of the time. It is my laboratory, my test kitchen and I love every recipe I try. I learn about the plants, I learn how they function in different pots and soils. I propagate, I mix, I simply play all day.  I’m fortunate to have access to so many beautiful containers; yes, most are broken and rescued from the dumpster but I don’t care. I get to experiment and when the results are spectacular, I bring them back to Eye of the Day to share them.

Take a look at this Greek Pithari I planted five years ago with a miniature rose, spectacular if I say so myself.  Even landscape designers comment on it and we know how critical they can be. They make winemakers look good.

My garden is an outlier when it comes to design but I think it is far more interesting and it is definitely more alive than most.

I will be posting pictures of my private garden here on the Blog ongoing for those who are interested to see just how unarboretum-like my wonderful garden really is.

Antique Spanish Oil Jars

I get a call from Brent at Eye of the Day.  He’s stuck in traffic on the 405 freeway in L.A., and he could use a little help unloading a container that’s just arrived at the Port of Los Angeles. I get up from the potters wheel, wrap my clay in plastic and head to Carpinteria not knowing what to expect.

Typically, Eye of the Day containers are from Greece, Italy or France  and are packed to the gills, having made the arduous journey from the Mediterranean. I know from experience that shipping ceramics in any capacity can be precarious at best, so you never know what to expect when you finally open the door.  On this particular day I figured it was more of the same, the usual three-to-four-hour marathon of unloading fragile, heavy, awkward, authentic terra cotta. I was both right and wrong. To my great surprise, the container comes from Spain. Oh man, this is gonna be awesome!

When Juan cracks open the door ever so slowly, so as not to lose anything that may have shifted in transport, it is clear that this is perhaps a once in a lifetime experience. Before me lies the mother lode of antique Spanish oil jars, richly textured, impeccably handmade, and well worn from years of use. Some are stitched up with metal staples, some seemingly have bee’s wax in them, some look as if they were glazed by the hand of a two-year old, and almost all of them have some measure of olive oil still inside!

Each pot is a masterpiece. It’s as if each and every piece has its own unique story of function colliding with inherent beauty.  These oil jars are museum quality, some of the most fantastic pieces of pottery I will ever see in my life. Yours too, when you make the trip to Eye of the Day to catch a glimpse of these Spanish beauties before they are all sold!