Eye of the Day Mother’s Day Gift Guide 2015

It’s that time of year where we honor and celebrate our mothers–Moms, foster Moms, and Mom figures.

Show how thankful you are for the moms in your life with something special from Eye of the Day. Our gift guide has something unique for all different tastes and budgets.

1. Fermob 1900 Bench
Perfect for those long heart-to-heart chats with Mom. This classic bench by French manufacturers Fermob is great for any generation of the family.

2. Mexican Church Candles
These are our most popular items in the Gift Shop. These creamy candles are made with layers of paraffin and cotton wicks. Great addition for the home.

3. Note Cards with Paintings by Karin Shelton
Made by local Santa Barbara artist Karin Shelton, these note cards showcase lovely plants or landscapes from the area. A unique Mother’s Day card for your favorite lady.

4. Succulents
These lovely plants have made such a comeback the last few years. They’re water wise, easy to care for, and just as beautiful as flowers. Help Mom plant a garden or arrange them in a container.

5. Mini Greek Pots and Containers
These are a personal favorite. These gorgeous handcrafted pots made on the island of Crete are perfect for indoor or outdoor container gardening. Instead of arranging flowers, create a mini garden for Mom–it’ll last longer too!

We hope everyone has a lovely Mother’s Day weekend!

The Landscape Professional and Client Relationship, Part II

Principal at Arcadia Studio in Santa Barbara and a resident of Los Olivos, Carol Puck Erickson, ASLA,  has an extensive portfolio of residences and arid gardens in Arizona and beautiful installations throughout California, Puck was initially educated in the visual arts, which still informs her work. She is an avid bi-coastal hiker and amateur botanist who is intrigued by the relationships between the cultural and agrarian landscapes and the native environment.

Puck is also committed to the therapeutic value of gardens, as a founding member of the Santa Ynez Valley Botanic Garden and pro bono consultant for many school and community gardens.  She has worked with Eye of the Day on a large variety of projects over the last two decades and is one of our favorite landscape professionals.

EOD: How has your design relationship evolved over time with any particular client?

I have enjoyed working with clients on multiple projects, sometimes over decades as the gardens reflect an evolution in their owners’ perspectives on the twists and turns of their own lives. Working together, we gain an understanding of the role time plays in a garden and in our own lives.  Often, with their second or third gardens, people are willing to plant a bit smaller and also to simplify their approach to garden designs.  While others, coaxed into the out-of-doors by their first garden, become avid collectors and gardening enthusiasts.

EOD: How do you accommodate the client’s changing tastes over a span of time and still allow your own accumulated professional experience to show through?

I listen closely, very closely!! As the years have flown by, I find that often I am simply a translator and steward as my client churns out ideas with unbridled enthusiasm, often without recognizing their own insight into a space, or an observation gleaned from their travels. It is through my experience and design discipline that we can take these wonderful ideas and marry them to the environment of the new garden.

I am often surprised at how easily some designers seem to let go of their gardens and the evolution of those spaces, from both a horticultural and aesthetic perspective. When we work with clients we are not creating a garden image, frozen in time. Once the garden is completed, the real fun begins. The garden begins to build its own rhythm and dynamic as it flows from season to season and we are committed to continue that dialogue with our clients and their gardens over years, if not decades!  I think responding to the drought is a perfect example of how an on-going relationship with the client and their garden can make a real difference.

To view more of Puck’s work, visit Arcadia Studio.

Morocco in Your Own Garden

California gardens, especially those in Southern California have long utilized the concept of outdoor rooms. Countries with warm, dry climates around the Mediterranean basin have been creating miniature oases outdoors for centuries. Taking a cue from them is one way to replicate both the feel and appropriateness of this style.

Moroccan gardens provide great examples of the restrained use of water to create a lush setting in outdoor courtyards and passageways. Even while reducing your water use in the landscape, you can create an intimate, yet luxuriant garden space by taking inspiration from arid North Africa. Gardens there are generally central to the dwelling, both to provide privacy and protection from the heat and winds.

One of the key elements of these enclosed spaces is limiting water use. The Arabic word for a garden of this type is riad and usually refers to the central fountain or ornamental pool. The fountain need not be large to provide a bit of cooling to the air as well as a sense of peace and luxury in a climate where water is scarce.  It is possible to recreate that feeling with a simple water feature created from a glazed pot and a small, efficient pump instead of building a large fountain.

Another feature is the exuberant use of color. Colorful pots, a painted wall or gate as well as bright flowers make for a vibrant and even joyful setting. Vivid glazed tiles, whether on the patio floor or the surface of a fountain, also contribute to creating an exotic paradise.

Plants can be used as well and they do not have to be those that require a lot of water. There are many that are drought tolerant, yet lush-looking. Large leaves give a more topical feel and species such as bird of paradise, aspidistra and pygmy date palm do well in containers. Succulents are a great choice; from cacti to agaves and aloes, they thrive on little water and their foliage provides drama and color. The Canary Islands is home to a wonderful group of succulents, the aeoniums, whose fleshy leaves grow in large, showy rosettes and would be perfect choices. Even the humble geranium (Pelargonium) is sturdy and produces flowers nearly year round. Assemble several plants in one container to provide a miniature landscape or group individual pots together, mixing and matching your color palette.

Look at Planted Wells blog for more Moroccan garden design inspiration.

Image Credits:
Moroccan Garden – Creative Commons, Chelsesa Flower Show Gardens by Rictor Norton and David Allen is licensed under CC by 2.0
Plant Image – Creative Commons, BCSS gloucester branch auction – The national agave collection by stephen boisvert is licensed under CC by 2.0 

THE DESIGN PROCESS SHOULD BE ENJOYABLE FOR EVERYONE
An interview with Stacy Fausett

Stacy Fausett is a highly respected Landscape Architect who takes great pride in what she does. She is quick to say that when she is asked to return and do further work for a client, she considers it a great compliment. We often see her at Eye of the Day, pen and paper in hand, walking the greenhouse and annex, taking lots of notes for her clients. She is looking for things that will fit into a particular design for her clients’ landscape and home. Stacy has worked to build long-lasting relationships with many of her clients, seeing them through a project, and over time moving on to new ideas in the same project later and then to other properties as they change homes. I asked Stacy a few questions about how she achieves these long-term client relationships.

EOD: How has your design relationship evolved with a client’s different projects?

SF: Obviously, having an established working relationship and familiarity allows me to skip the formalities of getting to know the client and then I can jump right into the design process. The familiarity is wonderful and makes for a fun project. It’s like working with an old friend.

EOD: How do you accommodate the client’s changing tastes over a span of time and still allow your own accumulated professional experience to show through?

SF: Each project varies with the style of architecture, the unique qualities of the property, and the client’s needs and desires. The client’s needs may have changed over time, so assessing these elements are the same as it would be for a new project. Having more years of experience behind me and knowing the likes and dislikes of the client allows me to make assessments and design suggestions. It is a very efficient way to work on a project.

EOD: What does it take to gain the client’s confidence in order for them to continue a long-term personal and professional relationship with you?

SF: It’s actually very simple to gain the trust and confidence of a client:

1. Listen to your clients: their wants, likes, dislikes,needs and critical elements susch as time frame and budget. Respect this information.
2. Do your homework and present quality, well thought out materials and design work.
3. Most importantly, do what you say you are going to do in a professional and timely manner. Organization and communication are key to a successful relationship in every circumstance.

STACY FAUSSET studied Landscape Architecture at California State Polytechnic University and has been practicing for over twenty six years. After many years of working for other Landscape Architects, she opened her own office in Santa Barbara in 2010.

We had a very quick winter here on the Central Coast with just a little bit of rain, spotty at best, while the rest of the country has been buried under blankets of snow. As California is technically still experiencing a severe drought, I want to address ceramics in irrigation.

Irrigation Through Clay
In the newsletter, we have covered many subjects concerning ceramics.  In irrigation, ceramics also has many uses. The Romans created an intricate system of aqueducts, which directed water throughout all parts of the empire. We see this around the world, ceramic pipe systems carrying water through towns and villages.

Clay Shards and Slow Water Release
Ceramic “shards” can also be used as a soil amendment. The broken pottery has to be low fire to be absorbent.  Low fire ware may be crushed and added to the soil and as you water, the shards act as little sponges and absorb the water and release it essentially as needed below ground.

Clay Pot Irrigation

Another use I find very interesting is what is called “clay pot irrigation.” If you perform an internet search of this term and go to “Images,” you will see excellent examples of how this works.  Essentially, it is a very simple technique.  Again, a low fire vessel is made by a potter, and is then buried right next to the plants you want to irrigate; fill it with water, and because of the porosity of the low fire ceramic, it leeches through the walls of the vessel and waters the plant by slowly releasing a minimal amount of water.

Cultures around the world have been using this method forever!  Look it up, check it out, and enjoy these new yet very old techniques of gardening.  Ceramics in your garden is not just decorative, it can be very functional.

When you see images of homes that feature window boxes overflowing with color, herbs and bees and butterfly-friendly plants, doesn’t it make you want to create a little garden under your window?

During an East Coast trip, Brent was walking the streets of Boston’s Beacon Hill neighborhood and.. looked up.  He noticed them near doorways as well: window boxes overflowing with color, herbs, and seasonal gourds.  Beacon Hill is famous for the flower boxes gracing the windows of most homes.  Their legacy comes from a time when homes were built on the edge of the street and there was little area to garden.  In the late nineteenth and early twentieth century, most homes had a central courtyard where there might have been an outhouse, wood shed and animals, so the logical place to grow a small kitchen garden would be in planter boxes hung just outside the window in order to save space.

Window boxes have a long history beginning in Europe and then traveling to America with the early settlers.  Terra cotta planter boxes date back to early Rome where it was common practice to cultivate cottage gardens for food, medicine and religious uses.  Eventually window boxes were planted with decorative flowers.

Historically, planters placed below the window have been made from wire hay frames, wrought iron, wood and terra cotta.  And that brings us to Eye of the Day’s Italian terracotta clay window box or “Cassetta Balcone.”  These sturdy window boxes, made from Galestro clay by Terracotte San Rocco, are available in five sizes and can be used as regular rectangular planters, placed on the ground, but WHY NOT use them as the Beacon Hill Brahmins and hang them beneath your windows, filled with succulents,  herbs, and vegetables?