Holiday time is approaching, but that doesn’t mean there isn’t time to get a little gardening in between the shopping and entertaining. Since the sun is shining less brightly, the soil has started to cool. Lower light and shorter days mean less productivity for plants.

Here are some ideas for winter gardening:

1. Plant for the Coming Cool Season

Winter vegetables include everything in the cabbage family: broccoli, cauliflower, mustard greens, and everyone’s new favorite—kale. Any of these can be grown as row crops for the kitchen, but consider putting a few in a half barrel or other container for both their edible and ornamental uses. Colorful rainbow chard is another great choice.

2. Consider Color

Cool season flowers like bachelor’s button, stock, sweet alyssum, calendula, foxglove, Iceland poppies, and pansies all thrive as winter approaches. Pick a color palette of similar or contrasting tones and group different types together in the container of your choice. Only one or two colorful pots will lend a festive air to your patio or deck. If you tuck in a few dormant bulbs, they will take over as the annuals wane. Narcissus and all its forms, gladiolus, lilies, tuberose, Mexican shell flower, and rain lily all fit the bill.

3. Compost in the Cold

Compost all the trimmings from your garden. Even in the cool months, bacteria and fungi will be doing their magic to produce beautiful planting amendments for spring. Use one of the patented composting bins, build your own, or just layer the materials in a corner of the garden. If you are ambitious, turn the pile once or twice (a good way to monitor the moisture level) or simply leave as is.

Mulch and water your favorite trees and shrubs. Much editing is going on because of the drought, but these are ways to nurse these larger shrubs along.

4. Gifts for the Wildlife

Don’t forget the birds and beasts, too. A shallow bowl of water will give them a welcome drink and a cleansing splash. Place the bowl in a quiet place where visitors have a view of the surroundings and potential threats. Keep filled and flushed with clean water as needed.

The owners of this classic Mediterranean home in Glendale, California contacted Sally Farnum of SE Farnum Associates in Altadena for a new front yard design requiring minimal maintenance and low water use. Her design included a Gladding McBean Oil Jar fountain conversion in Caribbean, as well as two Gladding McBean planters flanking the front entrance.

The neighborhood in Glendale, California, a suburb of Los Angeles, was lined with houses showing off well-manicured lawns and lush plantings. But like most streets, it had ”that one house.” You know the house. Dried and dying lawn, gopher holes dotting the landscape, and essentially an eyesore to a neighborhood that otherwise boasts its curb appeal.  Before their neighbors stopped talking to them, my clients contacted me to revamp the landscape in front of their home. These were busy clients who just work, work, work, leaving very little time for yard work. They were leaving the digging and turning of the soil to the gophers and the trimming to the deer. They even spent a few hours a week unsuccessfully trying to combat rodents with traps, flooding, and varmint bombs.

Change did not come easily to these clients, but they knew they needed to do something. They requested a garden design that would require minimal maintenance and low water but still incorporate beautiful plantings, as well as being deer and gopher proof. I discussed the beauty of replacing their lawn with a composition of decomposed granite, new and colorful water-wise plantings, hardscape using saltillo concrete tiles and a new fountain.

Initially the clients’ three colors of choice were beige, dark beige, and white, but I was able to convince them that a lively color palette can be beautiful, energizing, and attractive not only to them, but to desirable visitors like butterflies, bees, and birds. The plantings include colorful sages, ceanothus, lantana, and achillea that not only drink little but the deer and pesky gophers don’t find them to their culinary liking.  It’s been almost a year and they haven’t lost any plants to the wildlife, what a success!

The colors of the Malibu tiles that we used in the hardscape were definitely an influence on my desire to use a Gladding, McBean oil jar for a fountain. I was thrilled that my clients selected the Caribbean blue over a more subtle color and love the fountain conversion done by Eye of the Day. The clients are so happy with their colorful garden that they recently asked me to help select the palette for the re-painting of their house and of course the selections are very close to the color of the Gladding McBean fountain.

In late Spring the opportunity to sell a complete container of Terrecotte San Rocco came our way.  Kitchell Construction was managing the building and development of a large estate in the greater Denver area and because of Eye of the Day’s past and current collaborations with them, we were recommended by their Santa Barbara team.

Everyone knows it snows at a mile high in the sky and when you’re building a large Mediterranean style house and need frost-proof terracotta pottery, who do you call? Sound the trumpets please: Eye of the Day, of course. As an authority on clay, we were able to help them select a large and diverse range of Italian terracotta pottery made from Galestro clay which comes with a ten-year warranty to minus 15 degrees Fahrenheit. Many people, including design professionals, incorrectly refer to this Italian clay as “Impruneta,” a village commune near Florence, Italy.

It has been 35 years since I was last in Denver, Colorado—what a vibrant and exciting place. I arrived to meet the container of our great Italian terracotta pottery for the project and took public transportation into the city center for far less than a shuttle, cab, or using Über. Two stops after stepping on the bus, I stepped off at the new, super organized terminal right in downtown, not far from the ballpark where the Rockies play. Across the street I stepped on the free Mall Shuttle, which took me to the other end of 17th Street and dropped me off outside the Sheraton Hotel.  Because I got there a day before the container was being delivered from the port in Houston, I walked the downtown, my pedometer said almost seven and a half miles in a day and a half which is about what I walk each day at the store.

The mixture of old and new architecture is very simpatico in Denver. I’ll bet there are dozens of brick buildings that are made from Gladding McBean bricks and they look even more beautiful today almost a hundred years later.

The development of downtown Denver looks more like Manhattan than Los Angeles with multiple high-rise residential buildings and projects throughout the city. Gleaming steel and glass buildings shadowing older low-rise buildings like a six-foot grandson might put his arm around his grandpa. They go together well in Denver. The ballpark on one side of downtown and Mile High Stadium on the other with an extreme amount and variety of great microbrews in between.

Here’s to being a Mile High!

Inside the Pieces: Why We Love Authentic Pottery
Baked Earth series with Scott Semple

Hello to all and nice to be here again. It’s a classic Fall morning here on the Central Coast. I am currently walking around the Eye of the Day showroom, sipping Mint tea, trying to keep Shorty the dog at bay and writing to an enthusiastic yet invisible audience about my favorite messy, muddy medium: clay.

So, I’ve been thinking about this word “authentic.”

The first time I stepped foot into this showroom, I’m pretty sure what came out of my mouth was, “Wow, finally, authentic pieces.” I feel blessed to have traveled a good part of the world. I have not only seen, but intentionally sought out traditional pottery in villages from the foothills of Guatemala to Pokhara Nepal, from the backside of Cuba, to the historic potteries of Crete and mainland Greece. Knowing a thing or two about pottery and what it takes to build large format ceramic vessels, I walk in to Eye of the Day and immediately I’m transported to the smell of Turkish coffee in the Mediterranean, or the intense glow of a Native American dung firing.

This showroom is the gathering place of authenticity. You can look down inside these big pots and see what it took to make them, the marks that the sponge leaves while it spins on the wheel, the throw lines, and where sections of the piece were connected and not only joined, but adorned. The Greek ware in particular is notorious for actually celebrating the area on a vessel, like this one, where sections of spun clay were joined together to make a much larger form. I can see handles on pots that at first glance seem just like handles but are actually an integral part of how the artist moves the piece from the kiln to the customer. Or all these pots that have tool marks inside them from popping the occasional, yet inevitable air bubble. It’s all there, inside the pieces.

I’m talking about form—the mark of what it took to create the form, the container, not the decoration or the way the fire has licked it here or there on the surface. I tell my students almost daily, there is a form and there is a surface. Learn to treat each as a separate component, and you will be successful in clay. The form by itself should stand up to serious critique.

The work for sale at Eye of the Day is authentic. Not overly decorated or gaudy, not borrowed to look like it’s from some other culture. It is Authentic Classicism, coming from some of the few places in the world that are still producing wares that are handmade, timeless classical forms. We end up longing for these pieces, like touchstones from a place and time in history.

My last stop on the showroom tour has brought me to the Italian terracotta. Eye of the Day has the largest collection of authentic Italian terracotta containers from Terrecotte San Rocco in the entire country. There is so much handmade information in these vessels, I could talk and talk about it (as you probably guessed). But for now, I promise to revisit this topic of Italian Terrecotte San Rocco. How it is built, where the clay comes from, why it is frost resistant and more.

But until then, get to know what is inside a vessel, not just its outer reveal.
See you next month!

Author Brené Brown stated in her now famous Ted Talk, “The opposite of scarcity is not abundance, it is enough.” As we deal with the drought in our gardens, let’s not respond by grabbing more water from others or becoming despondent about losing lawns that are largely unsustainable in our climate.

Use your creativity and discover how container gardening can enliven your landscape while using little water. Let go of those garden images where plants luxuriate in 95% humidity and weekly rainfall. Let’s get started.

Destination Inspiration

Why do we love love love Italy, Mexico, Spain, or Morocco? Courtyards and shade. It’s not the turf. Most of our residences have outdoor living spaces that are too small or too close to the house to be truly enjoyed. If you are considering what to do with your thirsty landscape, think about expanding or adding terraces or courtyards adjacent to your home. Add new gathering areas in other parts of the garden. Even in a very small garden, you can create a new space at the back or side of the property and discover a new view into your landscape.

Planters: The Versatile Garden Feature

These new spaces can be paved with a variety of materials such as gravel, recycled concrete, stone or pavers. A grouping of planters can serve a variety of functions. Need some shade? Find a large pot, 42” diameter plus and add a drought tolerant small tree such as a fruitless olive. Add smaller pots with succulents or color and you have quickly filled your new garden space with pattern and detail, two aesthetic qualities that enliven our living spaces.

Planters can be adapted or reinforce the visual quality of any type of garden. If you have young children, add lots of color and tuck in a few edibles to share at the table. If you are looking for a place to escape the pace of work and family, discover the cool palette of succulents. Be brave, take a risk. Planter gardening is a great way to play with plants without breaking your budget.

So let go of some of the old ideas and embrace the challenge to live with ‘enough.’ Take a fresh look at that existing landscape and find joy in a new direction for your garden.

To view more of Puck Erickson’s work, please visit Arcadia Studio.

In February of 1998 our lives were changed forever by El Niño. Eye of the Day was in its infancy, just two and a half years old and we became a statistic as the worst damaged business in Santa Barbara County. The federal government declared a disaster area and we lost nearly everything. But…what we didn’t know was that our journey was about to take us on a brilliant detour.

From its inception, the Eye of the Day plan was to sell pottery, fountains, statuary and other garden products. There were a lot of nurseries but not many focusing on accouterments for the garden. We began by selling wine barrel planters, Mexican pottery, American made concrete fountains, benches, bird baths and lots of colorful pots. At Christmas we sold only the Noble Fir. But then the forces of nature randomly decided to take us out.

There is a saying that when a door closes a window opens; I was looking for a window and it turned out to be FEMA. With a new FEMA loan and a lot of help from friends, Eye of the Day quickly found a new home in a bigger market, picked ourselves up off the very wet pavement and began again.

After we opened our doors in our new (and current) location in the small beach town of Carpinteria, we sensed a great opportunity to grow in a way that the pre-disaster Eye of the Day would not have been able to fulfill. Our business model was limited and we needed to think bigger, so we decided that the gift shows in Los Angeles, San Francisco and Atlanta just didn’t provide what we needed anymore. It makes me laugh when I remember how quickly my wife, Suzi, agreed that we needed to go to Paris and check out the gift show there. We didn’t realize at the time just how prescient we were.

The first day of the show was the ultimate shopping experience but only if you were buying at least ten of everything. Included was an area for outdoor garden decor and when we walked into Francesco del Re’s booth, I knew I had found something special:  the finest handmade terracotta pottery on planet Earth. His containers were classics and many were models of forms and shapes still in service after hundreds of years, including pots or “vasi”, urns and amphorae adorning villas and palaces throughout Europe. Francesco’s display screamed CLASSIC ITALIAN TERRACOTTA to me. I vowed right then that Eye of the Day would sell Francesco del Re, just as soon as I figured out how I could afford a container.

The following year we returned to Europe, this time to Italy. Something drives me to wander and explore and I knew Francesco del Re was somewhere around Florence and I knew I would find him. I scoured the small, famous hill town of Impruneta, walking into some fabulous artisan workshops. No one knew who and where FDR was, but I learned later that in Italy, few are willing to promote someone else and everyone in that famous commune was challenged by him. The hunt was on. I didn’t travel in order to give up. It was hard work, but over our excellent lunch in Greve, the proprietor of the restaurant told me how to find the factory. By the way, we selected the restaurant for lunch because there was a pair of classic Francesco del Re Vaso Lessona urns at the front door.

I have returned to the FDR factory every year for the last sixteen years. This May I flew there for three days to help load a forty-foot container and to see Signora Elettra Brancollini, Francesco’s partner and sculptor. Sadly, our friend Signore del Re passed away two years ago, but his classics will live on for centuries in our gardens.