For the past twenty-seven years, Friends of Robinson Gardens has organized The Garden Tour to raise funds for The Virginia Robinson Gardens. This event is truly unique in that ticket holders have the opportunity to visit selected private home gardens rarely seen by the public. The day peaks mid-day with a delicious catered luncheon at the Virginia Robinson Gardens, where the Friends honor a member of the community as the Grand Marshall. Throughout the estate ticket holders can view the mansion’s historical rooms uniquely embellished by premier interior designers and florists. The luncheon program includes a fashion show of latest looks as well as an opportunity to purchase unique gifts at our boutique located on the tennis courts.

This year The Garden Tour will take place on May 16, 2015. The theme aptly titled “Masterpiece” (alluding to Masterpiece Theater program “Downton Abbey”) celebrates British history and culture. The Friends of Robinson Gardens are thrilled to be organizing an event full of history and fresh blooms (new roses have been ordered!).

Eye of the Day Garden Design Center will be supplying some garden decor including pottery, statuary, and outdoor furniture. Be sure to look for them on the tour.

For more info, visit Virginia Robinson Gardens.

THE DESIGN PROCESS SHOULD BE ENJOYABLE FOR EVERYONE
An interview with Stacy Fausett

Stacy Fausett is a highly respected Landscape Architect who takes great pride in what she does. She is quick to say that when she is asked to return and do further work for a client, she considers it a great compliment. We often see her at Eye of the Day, pen and paper in hand, walking the greenhouse and annex, taking lots of notes for her clients. She is looking for things that will fit into a particular design for her clients’ landscape and home. Stacy has worked to build long-lasting relationships with many of her clients, seeing them through a project, and over time moving on to new ideas in the same project later and then to other properties as they change homes. I asked Stacy a few questions about how she achieves these long-term client relationships.

EOD: How has your design relationship evolved with a client’s different projects?

SF: Obviously, having an established working relationship and familiarity allows me to skip the formalities of getting to know the client and then I can jump right into the design process. The familiarity is wonderful and makes for a fun project. It’s like working with an old friend.

EOD: How do you accommodate the client’s changing tastes over a span of time and still allow your own accumulated professional experience to show through?

SF: Each project varies with the style of architecture, the unique qualities of the property, and the client’s needs and desires. The client’s needs may have changed over time, so assessing these elements are the same as it would be for a new project. Having more years of experience behind me and knowing the likes and dislikes of the client allows me to make assessments and design suggestions. It is a very efficient way to work on a project.

EOD: What does it take to gain the client’s confidence in order for them to continue a long-term personal and professional relationship with you?

SF: It’s actually very simple to gain the trust and confidence of a client:

1. Listen to your clients: their wants, likes, dislikes,needs and critical elements susch as time frame and budget. Respect this information.
2. Do your homework and present quality, well thought out materials and design work.
3. Most importantly, do what you say you are going to do in a professional and timely manner. Organization and communication are key to a successful relationship in every circumstance.

STACY FAUSSET studied Landscape Architecture at California State Polytechnic University and has been practicing for over twenty six years. After many years of working for other Landscape Architects, she opened her own office in Santa Barbara in 2010.

When you see images of homes that feature window boxes overflowing with color, herbs and bees and butterfly-friendly plants, doesn’t it make you want to create a little garden under your window?

During an East Coast trip, Brent was walking the streets of Boston’s Beacon Hill neighborhood and.. looked up.  He noticed them near doorways as well: window boxes overflowing with color, herbs, and seasonal gourds.  Beacon Hill is famous for the flower boxes gracing the windows of most homes.  Their legacy comes from a time when homes were built on the edge of the street and there was little area to garden.  In the late nineteenth and early twentieth century, most homes had a central courtyard where there might have been an outhouse, wood shed and animals, so the logical place to grow a small kitchen garden would be in planter boxes hung just outside the window in order to save space.

Window boxes have a long history beginning in Europe and then traveling to America with the early settlers.  Terra cotta planter boxes date back to early Rome where it was common practice to cultivate cottage gardens for food, medicine and religious uses.  Eventually window boxes were planted with decorative flowers.

Historically, planters placed below the window have been made from wire hay frames, wrought iron, wood and terra cotta.  And that brings us to Eye of the Day’s Italian terracotta clay window box or “Cassetta Balcone.”  These sturdy window boxes, made from Galestro clay by Terracotte San Rocco, are available in five sizes and can be used as regular rectangular planters, placed on the ground, but WHY NOT use them as the Beacon Hill Brahmins and hang them beneath your windows, filled with succulents,  herbs, and vegetables?

Garden Design magazine is bringing back their always-popular collection of Way Hot Plants–perennials, shrubs, and grasses plant aficionados love. See them all plus much more stunning photography, gardens, plants, and products in their current issue Early Spring, on sale now. Preview the issue and subscribe today: .

Lisa Cox, of Lisa Cox Landscape Design has happily designed landscapes ranging from simple tract homes to vast estates.  As she plans an outdoor environment, she envisions a transformation that communicates the lifestyle and personal taste of the client, while incorporating her own style. Each garden is designed and built with all materials including stone, plants, trees, water features, and garden art selected by Lisa using local, top qualified growers and suppliers.

Commitment to sustainability, the use of drought tolerant plants and trees, including California natives, has been an integral part of her design process, allowing a more “naturalistic” result that mimics the local terrain.

When Lisa met with her new clients in the Santa Ynez Valley, they requested that the newly constructed home not have any sod in the front area, and that she use drought tolerant plants including grasses and succulents. Working with a blank slate, except four nice sized olive trees at the entrance, she was free to design the space, including selection of a plant palette that complimented the Hacienda style of the home. With the use of local sandstone boulders, salvias and phormiums as her base, she also incorporated deciduous trees and perennials for color in the Spring and Summer, and a few rows of grape vines because after all, it’s the Santa Ynez Valley!

Choosing Greek terracotta pots from Eye of the Day, filled with “Blue Glow” Agaves gave the clean, rustic look she was looking for on the front porch and the traditional Terrecotte San Rocco terracotta pot in front worked perfectly to show off the “Little Ollie.”

It seems everything progressed perfectly for Lisa and her clients, but there WERE a few important challenges:

1. The need to place a gopher basket for every plant as the local area is inundated with gophers that would quickly destroy the plantings, and
2. The necessity of paying close attention to selecting plants that can stand the heat as well as the sometimes frigid nights where temperatures can go into the low 20’s or below.

As Lisa’s work on the project came to a close, she felt deep satisfaction; in fact she felt this was a home environment she could inhabit herself.  The project was a dream to work on and the end result was exactly what the homeowner envisioned.

Visit Lisa Cox Landscape Design to view more of her work.

GROUNDSKEEPING is about my travels for my life’s work, keeping Eye of the Day fresh and exciting not just for me, but our clients and customers. I am always trying to find what others are seeking for their designs.  Like a chef experimenting with ingredients and flavors to interest his public, I look for those things that different places and cultures want and need, and that architecture requires for exteriors to be in harmony with structures.

Recently I decided to return to the East Coast, which is the market we ship to more and more frequently. While walking throughout New York and Boston my goal was to come up with new ideas and directions.

Revisiting and walking the length of Central Park, one of my favorite urban places on earth, was a specific goal.  It is 2.9 miles long (in a straight line), but my meandering probably added another half mile or so.  Fredrick Law Olmsted was a remarkable genius and I marvel at his accomplishments. The Ramble is still my favorite area of all.  It is hard to believe you’re in the city at all.

As I approached the northern end I came to the Conservatory Garden, the only formal garden in the Park. It’s truly an intense, wonderful experience for garden lovers. I recommend that you go to Google images for more wonderful photos. From the corner of 110th Street I took the bus down 5th Avenue to my reward, lunch at Gramercy Tavern. I needed plenty of oysters to soothe my soul and rest my sore feet.

Next, I traveled to Boston ($ one-way bus ticket) to compare cities and get a better feel for this historic place and the homes and offices of its famous residents. Boston is to NYC as Santa Barbara is to LA; while it is a major city and urban center, it feels much more intimate.

Boston Public Garden, like Central Park, is right in the center of the city; it’s smaller, but very dynamic. The 24-acre park was the first public botanic garden in the USA, established in 1837. My favorite site is the magnificent bronze statue of George Washington on his horse.

Across the street from the Park is Beacon Hill. The word “historic” doesn’t begin to do justice to this neighborhood. Walking its narrow streets is not for those of weak ankle. I immediately saw what I was looking for, something you rarely see in the West: window boxes.  They were everywhere and many decorated for Halloween.

I could have walked all day through the streets of Beacon Hill, taking pictures of the Federal style homes packed side by side sporting window boxes below every wonderfully fenestrated opening.  San Francisco, Pasadena, and Brentwood: why don’t you have any window boxes?  They are jewelry for the home. Designers, what are you afraid of?  I want window boxes.  I have window boxes.

Next, my pilgrimage led me to the unassuming home office of Frederick Law Olmsted in Brookline, Massachusetts. This is the location where The Master worked on his brilliant, timeless designs. The Park Rangers and volunteers were wonderful, helpful and spunky. It is moments from downtown Boston, just a short cab ride.

Finally: the fountain I stumbled upon when I walked through Boston’s main library.  In the courtyard is a fountain that replaces my favorite for many years, The Electric Fountain at the corner of Wilshire Boulevard and Santa Monica Boulevard in Beverly Hills.  In the courtyard of Boston’s public library is the most wonderful fountain, Frederick MacMonnies’ Bacchante and Infant Faun.

In its unique setting it is difficult to think of another fountain I’ve seen in my travels that could make me smile more.

Where to next??