GARDEN COCKTAILS: A METHOD FOR ENJOYING MORE SUMMER

If you were smart and planted watermelon vines in your garden, your summer is about to become even more exceptional.  A farmers’ market is another way to fulfill your summer watermelon dreams, but either way this remarkable summer drink invented by our daughter, Daisy Ryan, will be a great accompaniment to evening garden-gazing.  Do not hesitate to substitute vodka or gin.

WATERMELON TOSS

1 ½ oz blanco tequila
2 oz fresh watermelon juice
1 oz fresh lime juice
½ oz simple syrup
Pinch cayenne
1 tsp pickling liquid from watermelon pickles

Garnish: watermelon pickle
Put all ingredients (except the watermelon pickle) in a cocktail shaker with crushed ice, shake, and pour over ice in a double rocks glass and garnish with the watermelon pickle on a pick.  Go outside, sit down and drink it while the sun turns the sky the same color as your drink.

Watermelon Juice

Cut rind off watermelon, including ¼” of the pink flesh, put aside.  Juice ½ of the melon at a time in a blender until it turns to juice and strain it.  Add simple syrup and salt to taste

Watermelon Pickles

Reserved watermelon rind
3 c champagne vinegar
2 c water
1 c sugar
½ c pink peppercorns
¼ t cayenne pepper

Using a sharp knife, cut the rind into lengthwise strips including ¼” of an inch of the pink flesh. Cut into ½” squares.  Heat the vinegar, water, sugar, pink peppercorns and cayenne.  When it comes to a boil,  pour over the rind, let it cool then refrigerate for 24 hours.

Art in the Garden: Henry Null of The Romantic Garden

Long time Eye of the Day customer Henry Null of The Romantic Garden Company recently installed three Italian terracotta Sako balls in a Santa Barbara garden. The three globes, provided by Eye of the Day,  were custom colored by the company’s Service department. Null describes the project: “The Italian terra cotta Sako balls were rolled into place at the terraced garden we built in Santa Barbara. We had Eye of the Day epoxy-paint them to my color instructions (I wanted something close to the sky color to represent the universe.) But I also wanted the globes to break up the linear pattern of the texanum hedge. At the same time I wanted the globes to repeat a pattern of 3’s that I was constructing vertically with plants of Thuja occidentalis. Sound complicated? Well, it was.

One further general point about artistic objects in the garden:  to be effective, they should be distinctive or displayed in some distinctive way.  It should be the customer’s option, as a matter of personal taste.”

On another garden from years before, Null relates an example of using unique objects in the garden: “Years ago I worked for the late Margaret Mallory on Ortega Ridge. She was an art collector and in her garden a five-foot pedestal supported a beat-up metal gyroscope which was maybe 18 inches in diameter. I asked her about it and her reply was, “that gyroscope was on the last British gunship in Palestine.’ You don’t get much more distinctive than that. We don’t have any spare, war-weary gyroscopes hanging around, but we have a selection of odd garden ornaments that can be used for focal points.”

Null’s recent venture The Avant Garden Company “offers a unique perspective to gardening by providing a philosophical and metaphorical approach. Each aspect of the garden is strategically designed and formed to create a celestial garden piece.”

To view more of Henry’s work, please visit The Avant Garden Company and The Romantic Garden Company.

Custom finishes are a specialty at Eye of the Day. Please visit our website for more information.

Brent’s Rogue Garden

People often ask me what my garden at home looks like.  I laugh and reply it looks like a psychedelic trip to a botanic garden gone rogue with cracked pots.  Then they laugh, not sure if I’m being honest or just outrageous, and they’re right, my garden is outrageous and honestly, it is a trip. While we sell volumes of the best and most authentic pottery and garden statuary around, we get our share of damage. Handling heavy pottery, moving it, merchandising it and delivering it involves some mistakes. So I have plenty of opportunities to take beautiful Italian terracotta pots home, albeit with chips and cracks (we epoxy the cracks so they will last just as long as the first quality ones). The problem is what to do with over twenty years’ worth of damaged pots.

Welcome to my test kitchen where I try different plants in different pots to learn what works. Just like a cook’s test kitchen, I have learned what works when potting different plants, hence my belief that the first thing to growing healthy container plants is the drainage.  No matter the plant, it must have freedom to drain continuously.

Second is the soil. If you match the plant’s root system with the proper soil mixture you will have a healthy plant growing in a beautiful pot. I am a strong believer that perlite added to any soil mixture helps to grow healthy container plants.  Why do I spend more on organic soil amendments? Because I’ve learned that chemical fertilizers work fast and make container plants grow and look healthy initially, but down the road, your container plants will suffer the toxicity of chemical salts which build up in the soil. Using products like “SuperThrive”, soap, Epsom salts, wood ash from my pizza oven and most of all, composted soils amendments from the great composter I got from .

I have pots everywhere, hence the “garden gone rogue.” I have created patio areas on all sides of my house to accommodate all of the pots and plants. If a planted pot at Eye of the Day begins to look shabby, I’ll will take the plant home and perform triage by restarting it in an appropriate looking pot. I learn from doing this what looks good from a design point of view and I can share what works in containers that clients may not have considered before. I have been able to grow and pair plants with our products to help market Eye of the Day while making my “test garden” a realistic place to prove that container gardening is the best way to create “Paradise at Home”!

Blueprint: Montecito Landscape Refine a Santa Barbara Garden

Chris Cullen, the founder of Montecito Landscape, began landscaping at the tender age of eight at his family home in Los Altos Hills, CA. He got his contractor’s license in 1970 and moved to Montecito and named his company after his new home town.

Since then, Montecito Landscape has specialized in design and installation of residential landscapes. Chris has created some of the mainstays of the “Montecito Landscape” that are part of the image we see when we think of Montecito. For example, he was responsible for the creation of original landscaping at Ennisbrook (on Sheffield Road) adding the double line of Stone Pines that line the walking paths through the west end and choosing the specific type of trees planted at the entrance to match the plaster wall of the original construction (the plaster color was later changed, but the trees still remain).

One of Chris and Lisa’s newest projects is a Santa Barbara home. The property had “good bones” but needed refinement. There were a number of unattractive hedges that blocked the beautiful vistas and made it feel hemmed in. The home is a work of art in itself with its simple, modern design and the way it is nestled into the property gives it the sense that it is a work of nature. Their job was to enhance the organic feel of the house and property while creating some space both visually and literally.

Consistent with Montecito Landscape’s garden design philosophy, they first isolate, and then focus on bringing out the best features of a property. Their feeling that each location is as different as each client helps them to approach every new project “intending to help the client see and appreciate their assets and then work with them to discover what it is they need and want.” It then becomes a focus to fulfill the clients’ dreams in such a way that uses their home and property’s intrinsic beauty in unexpected and surprising ways. The goal is to use the entire property in the “picture”, creating “negative space” in a three dimensional design.

When determining exactly what needed to be done when working on this project and how to fulfill what the client wanted, the Cullens knew that something about the landscape “wasn’t quite right” but they couldn’t identify it themselves. “In fact most of our clients know what they want and know when something works and when it doesn’t. What they don’t know is how fix it. That’s where we come in. This garden already had a drought tolerant theme, however many of the plantings were just not working; they were kind of ‘clunky.’ We suggested the addition of brightness and light to the scene, so that is what we did. With the addition of Euphorbia, Mexican Sage, Nepeta, Santa Barbara Daisy, Santolina and others we were able to add color and softness. When there is a lot of hardscape, as there was in this landscape, we wanted some softness as a counterpoint.”

When it came to adding garden décor “the client knew they wanted a water feature as a focal point and so of course, we sent them to Eye of the Day. With Brent’s help they found exactly what they were looking for. It then became our job to incorporate the fountain into the landscape in such a way that it seemed as if it were always there. This is our goal, then, when we utilize garden décor, fountains, sculpture, etc. it should feel as it belongs.”

For Chris and Lisa, “It is always a pleasure to create a beautiful ‘picture’ in the landscape; it’s why we do what we do. We live for the creation of aesthetics. The pleasure comes in working with the client to give them a garden they will use and enjoy for years to come. This project was no different. We loved collaborating with this particular couple because they were very involved and they love to work in their garden.”

See more of Chris and Lisa Cullen’s work at Montecito Landscape.

One of my favorite gardens that I designed a few years ago is a great example of how you can replace a water-thirsty lawn with lush looking, and less thirsty, plants.  One of the most successful strategies we used was to swap out the turf lawn and install a drought-tolerant Dymondia margaratea ‘lawn’ in its place.  But first, a little background and a few before & afters:

My client’s home is located on a busy corner within a stone’s throw of two nearby schools, has giant picture windows throughout the house and has a 4-foot high wall that surrounds most of the garden (a Lookiloo’s fantasy!)  What this translates into is the homeowners were on constant display to traffic and pedestrians alike and felt like they were living in a fishbowl, for all to see.

The lack of privacy would tempt many to build a fortress-like wall to surround the garden, but staying true to their welcoming personalities, they decided to create a garden that others might equally enjoy (after all, if they’re going to peek over the wall they might as well have something nice to look at, right?)

Tired of their threadbare, un-used, water-thirsty lawn and random mishmash of plantings, they wished for a more responsible, fun, and ‘livable’ garden that used less water and incorporated plenty of native plants to encourage wildlife to visit.  Our first step was to rip out the lawn and reinterpret a newer, smaller version using Dymondia.  I chose Dymondia because it’s extremely tough, drought-tolerant, evergreen and can withstand a fair amount of foot traffic. Plus, it’s just so darnned pretty.

Their concern, however, was that using such an expansive amount of the color gray in the garden would have a blinding, bright and parched effect.  This is a perfectly valid concern, and one that I’ve often heard from other clients who have experienced the unintended ‘glare’ in their gardens as a result of an overuse of gray plants.   To help avoid this common pitfall of using gray in the garden, here are a few tricks I’ve used to help tone down the brightness while still enjoying this beautiful color.

Shades of Gray

First, it’s important to realize that there are different shades of gray ranging from light & bright, to mid-level gray all the way to dark, charcoal-like foliage. And because of this range, it’s important to understand that not all grays are alike.  It’s perfectly okay to use plenty of gray plants in the garden, as long as you vary the shading.  No one wants to look at one bright gray plant after another without a place for the eye to rest, so remember to use plenty of mid-level and dark gray plants sprinkled throughout.

Keeping it Lush

In order to prevent gray colors from creating a ‘pass the sunglasses’ effect in your garden, it’s also important to include plenty of nearby plants that have deep, rich colors, such as burgundy, green and purple. In this garden, the plants chosen included the brilliant blue flowers of our native ‘Blue Springs’ Penstemon, vibrant purple Lavender and the deep burgundy Stonecrop that creeps throughout the edges of the Dymondia lawn.

Lambs Ear is used sparingly throughout the garden, as it’s a really bright shade of gray, almost bordering on white, and could easily cause the Dymondia to appear brighter than it actually is.

In fact, each Dymondia leaf consists of two colors – green on the bottom and silvery gray on top.  And once the Dymondia begins to grow and fill out (forming a soft and inviting 3-inch spongy mat), its slender leaves will begin to twist gently, revealing its different colors.

To further emphasize the green in the bi-colored foliage, I’ve included plenty of other surrounding plants with green colors to help strengthen the color echo.

For example, I’ve interspersed our native Carex divulsa (Berkeley Sedge) and Calamagrostis foliosa (Feather Reed Grass) throughout the lawn, as well as lots of perennials with green foliage.

It’s not just Dymondia that has hefty amounts of green in its coloring – take a look at a lot of other gray plants and you’ll notice green beneath the gray ‘fuzz’ (ie: many lavenders, senecios and hostas).  To emphasize the blue tones of the gray Dymondia colors, I also included plenty of blue plants in the garden, as well – like this ‘Beyond Blue’ fescue, various succulents, and many blue-flowered perennials.

My goal was to emphasize the tones and colors that I want while minimizing the tones that I don’t want.  Can you imagine how bright the garden would be if I had used an overabundance of white flowers and foliage?

Hardscaping

Hardscaping (such as nearby flagstones, patios and sidewalks) plays an important role when placed near gray plants as it, too, can serve to either tone down the brightness or amp it up to blinding proportions.

For this garden, we chose flagstones with slightly creamy-pink tones to them.  Again, the reason was to de-emphasize the bright gray colors by introducing softer muted shades to tone things down.

I’ve seen plenty of instances where a drift of bright gray plants, such as Lamb’s Ear or Artemesia, have been placed directly adjacent to a bright white cement walkway. And 9 times out of 10, that’s the area the homeowner is referring to when they say they don’t like the color gray.

To eliminate this blinding effect, just remember to use hardscaping ( as well as plants) with softer tones and/or darker colors.

A year after this garden was installed, we compared water bills – the result was amazing!   Compared to the wall-to-wall ‘carpeting’ of lawn from before, the new garden uses 40% less water, even though there is a ton of plants in this garden!  This shows that with creative and careful plant selection, and water-efficient drip irrigation, the result can be breathtaking while using much less water.

GARDEN DESIGN: QUICK! GRAB YOURSELF A COPY!

Eye of the Day has been involved with the publication Garden Design magazine for many years. The latest iteration  of this “magazine” is quarterly and feels more like a book than a periodical.  There is absolutely no advertising to interrupt the flow of articles and inspiring photographs.

My eye was first caught by the Editor’s Note  “Moonshot Thinking for a Low Water World” in which Thad Orr, Editor-in-Chief, discusses replacing lawn with water-wise alternatives involving collection systems and irrigation monitoring. On the facing page is Fresh: Inspiration and Innovations from the World of Garden Design.  This article addresses “Tough Questions about Drought” by asking four people: the Director of the Nature Gardens of the Natural History Museum of Los Angeles, the Director of the Landscape Architecture and Horticulture Gardening Programs at UCLA, a well-known Californa Landscape Architect and the Water Efficiency Manager of Irvine Ranch Water District, what can be done to conserve water this summer and in the future. Initially, this was all I needed to  continue reading; we all need to immerse ourselves in questions and answers about water usage.

Elise’s Gift showcases the historic Redford Gardens in Quebec, illustrating the article about one of the largest plant collections in North America and the story of its founder, Elsie Stephen Redford with photos of the abundant flora of the gardens that were once the family’s fishing camp. Reading about Elsie’s vision and involvement in her “garden” overlooking the St. Lawrence River has me wishing for an in-depth  biography of her life.

These are only a few of the gems between the covers of Garden Design. This impressive publication is just jammed with articles and photos that are so interesting, beautiful and thought provoking that even those of us not claiming to be gardeners  will just want to absorb.

Subscribe here.